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A gripping account of racial justice activists who confronted violent white supremacists in Charlottesville, VA, and stirred the nation On August 11 and 12, 2017, armed neo-Nazi demonstrators descended on the University of Virginia campus and downtown Charlottesville. When they assaulted antiracist counterprotesters, the police failed to intervene, and events culminated in the murder of counterprotestor Heather Heyer. In this book, Emmy-nominated journalist and former Charlottesville resident Nora Neus crafts an extraordinary account from the voices of the students, faith leaders, politicians, and community members who were there. Through a vivid collage of original interviews, new statement...
Nestled in the foothills of the Blue Ridge Mountains, the city of Charlottesville thrives amidst numerous tangible reminders of an incredibly rich history. Founded in 1762, the heart of early Charlottesville was the stage for some of the most important figures in early American history, including Thomas Jefferson, James Madison, and James Monroe. Growing side by side with Jeffersons University of Virginia, Charlottesville developed into a bustling community whose businesses, families, and celebrations were well documented in photographs beginning in the 1880s. The collection of images reproduced in Images of America: Charlottesville tells the story of the creation, growth, hardship, transformation, and success of a city beloved by residents and visitors alike.
THE INSTANT NEW YORK TIMES BESTSELLER The former governor of Virginia tells the behind-the-scenes story of the violent “Unite the Right” rally in Charlottesville—and shows how we can prevent other Charlottesvilles from happening. When Governor Terry McAuliffe hung up the phone on the afternoon of the violent “Unite the Right” rally in Charlottesville, he was sure Donald Trump would do the right thing as president: condemn the white supremacists who’d descended on the college town and who’d caused McAuliffe to declare a state of emergency that morning. He didn’t. Instead Trump declared there was “hatred, bigotry and violence on many sides.” Trump was condemned from many si...
During the month of April, the residents of Albemarle, Buckingham, Fluvanna, Greene, Louisa, Madison, Nelson, and Orange Counties converge on the city of Charlottesville to celebrate the beauty of Central Virginia and honor the state flower. Beginning in 1950 as the Apple Harvest Festival, the festival took on its current name, the Charlottesville Dogwood Festival, in 1958. Each year, Charlottesville comes alive not only with the blooms and blossoms of spring, but with fireworks, amusement rides, and a host of local royalty. The beauty of the Blue Ridge Mountains and fall foliage as well as breathtaking springs and some of the nation's oldest and most prestigious plantations make this area one of the most popular places to visit in the South. The Charlottesville Dogwood Festival takes pride in being a long-standing part of an area rich in tradition and heritage.
Possibly the region's first craft brewer, Thomas Jefferson grew hops and created his own small-batch brews at his home at Monticello. His brewing, however, was only the beginning. Charlie Papazian got his start homebrewing at the University of Virginia and went on to become a founder of the craft brewing movement. The city was not spared the fervent debate over prohibition, and the area went dry well in advance of the country in 1907. The Brew Ridge Trail set the standard for regional attractions focused on brewery destinations and sees thousands trek through the beautiful countryside enjoying libations. National award-winning breweries like Devils Backbone, Starr Hill and Three Notch'd elevated Charlottesville to a center of craft beer. Author Lee Graves offers a history and guide to brewing in scenic Charlottesville.
From the 1920s through the 1950s, the center of black social and business life in Charlottesville, Virginia, was the area known as Vinegar Hill. But in 1960, noting the prevalence of aging frame houses and "substandard" conditions such as outdoor toilets, voters decided that Vinegar Hill would be redeveloped. Charlottesville's black residents lost a cultural center, largely because they were deprived of a voice in government. Vinegar Hill's displaced residents discuss the loss of homes and businesses and the impact of the project on black life in Charlottesville. The interviews raise questions about motivations behind urban renewal. Instructors considering this book for use in a course may request an examination copy here.
Each year, the students at the University of Virginia pool their money together to bring an artist or art event to UVA Grounds and beyond through their student run, UVA Arts Board Committee. For 2017-18, in collaboration with the Studio Arts Program, the students invited artist and Art in Odd Places founder & director Ed Woodham to help oversee the creation and production of Art in Odd Places 2018: MATTER Charlottesville. This catalogue is a record of AiOP MATTER festival that took place on the grounds of the University of Virginia and on the Downtown Mall in Charlottesville. The gatherings of white supremacists on August 11 and 12, 2017 framed a narrow view of Charlottesville. AiOP MATTER encouraged rethinking this limited view of Charlottesville by presenting fresh images and narratives by nineteen local artists, and nine national and international artists.
The Charlottesville Protests delves into the eruption of violence that occurred in Charlottesville, Virginia, in August 2017. It also examines the racial strife that's plagued the United States for decades and encourages readers to form their own opinions. Features include a glossary, references, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.
"A photography portrait project of the present rooted in the past with a supplementary oral history that makes no claims to being comprehensive, definitive or chronologically accurate. One hundred local musicians are captured in their creative spaces with minimal intrusion (one light, one camera, two lenses). The creative spaces offer a high level of comfort for the subject while offering the audience a rarely seen behind the scenes view of noteworthy local musicians." -- provided by publisher.